This is a story where architecture holds memory. Our environments must feel lived-in yet monumental, textured with history and ideology. The brutalist structures aren’t just settings — they’re active participants, shaping and reflecting the emotional states of the characters.
Surfaces will carry weight: poured concrete, worn stone, weathered metal, muted woods. We’ll avoid ornamentation, letting materials speak for themselves. The palette should lean restrained — earth tones, washed greys, muted greens — punctuated only by deliberate intrusions of warmth or color when humanity breaks through the austerity.
Every space tells a story of displacement and creation. Interiors will reveal personal histories through minimal, carefully chosen objects, while exteriors embody political and social forces at play. The goal is timelessness: environments that feel specific yet universal, grounded in period authenticity but alive with resonance today.”